Biography

Their first label release as P-Eye-Eye was on the seminal EMIT 2295 T:ME compilation album appearing alongside Coco Steel & The Lovebomb, Scanner and Woob. DJ Magazine June '95 review -- " ...Flinch not either from P-Eye-Eye's track (Lost at Sea) which jumped out and slapped me in the face with great panache! Not a 5am brainstorm from the chemically challenged as I first thought but a textural, moody one that reveals more with each pass... " The track was re-released in 2000 on a best of EMIT on Instinct Records USA, (Moby's first label).

Today P-Eye-Eye are now regarded as ambient / experimental music pioneers with their own unique sound, having been one of the first groups to use the RSS. (Roland Sound Space system) a 'Revolutionary sound processor that creates a three-dimensional sound environment using conventional two-channel playback. Today, it is an indispensable piece of equipment in all audio industry sectors'. See http://www.roland.com/about/en/development-history.html

Further to establishing PCM publishing and record label, Diamond Life Recordings, P-Eye-Eye have worked with a wide range of experimental, dance, indie musicians, labels, filmmakers, even tribes and monks from around the world, to produce their many varied electronic releases, namley the - DataFlood album series, various live performances, radio, TV, film, multimedia soundtrack work and experimental ringtones. P-Eye-Eye are establishing new ways of creating and selling their music as well as new ways of dealing with copyright issues. We are always looking for new input to our DataFlood series and look forward to hearing from anyone interested in working with us.

Remember 'Make Tea, Not War'. and Peace be with you brothers and sisters....