Larry Cordle - (615) 830-4765
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Larry Cordle, Larry Shell
Publishing & PRO
: New Songs of SeaGayle,BMI / Pier Five Music, Inc., BMI
Clearbox Rights, LLC
Acoustic Resonator Guitar, Slide
Lead Vocals, Back Vocals
Like a chicken with his head cut off is a mostly country expression that I first heard in my childhood and it just carried over into my adult life every time I saw someone (or myself), do something that absolutely made no sense, I was apt to use the phrase.
Anyone who has ever literally witnessed a chicken have it's head cut off, knows what happens, it flops around, tries to run & acts completely crazy.... quite normal behavior if you've just had your head chopped off I suppose!
That is the genesis of the expression and it is generally used, most often, to describe young men, who have been smitten by a member of the opposite sex and had perhaps a 1st early experience of getting to a base farther than he has been able to get to before.
So the way it would be used (up in Kentucky where I'm from anyway).
You know Tommy has been spending a lot of time with that girl of Chuck Alley's ... she's got him acting just like a chicken with his head cut-off!
With this as a template we (Larry Shell & myself) were able to put this little ditty together in one day. We had great fun writing this one! ~ Larry Cordle
LARRY CORDLE BIOGRAPHY
Larry Cordle was born and raised on a small family farm in eastern
Kentucky. While a young child he was introduced to bluegrass, country, and gospel music, by his great grandfather Harry Bryant, an old time claw hammer banjo stylist, fiddle player and dancer. He recounts, “mom said I could sing “I’ll Fly Away”, all the way through when I was 2!” Cordle fondly remembers this early influence by pointing out, “we lived so far away from everything, that we had to make our own entertainment. Papaw would get the fiddle out in the evenings sometimes and play and dance for us. Just as soon as I was old enough to try to learn to play I did so and I kind of seconded after him on the guitar. He ran an old country store and I spent many happy hours in there with him playing, talking about and listening to music. It was our escape into another world, something we grew up with and looked so forward to. I was always happiest when we were in a jam session”.
After graduating from high school, Larry spent four years in the Navy and after being honorably discharged, attended Morehead State University, receiving a bachelor’s degree in accounting. “I just didn’t see how I could ever make a living doing only music,” he explains, so, I worked for a CPA firm during the day and played in clubs at night”. All the while, Larry desperately wanted to devote all of his time to music, but his commitments would remain divided, until writing a song, that changed everything for the aspiring young singer/songwriter.
East Kentucky was not only home for Larry, but also for his childhood friend and neighbor, musical prodigy, Ricky Skaggs. Upon hearing Larry’s new song, “Highway 40 Blues”, Ricky promised that he would one day record it. In the summer of 1983, it was the number one song in the nation, helping to launch Larry’s songwriting career and skyrocketing Skaggs’ already solid country music career. In 1985, at Ricky’s urging, Larry, by now out of the accounting business and back playing nightclubs again, gave up the security of a full time gig to move to Nashville and become a staff songwriter for Ricky’s new company, Amanda-Lin Music, with whom he (Ricky) had wisely partnered, with Lawrence Welk’s mega successful publishing company, Welk Music. “$200 bucks a week Cord laughs, that wouldn’t go far these days but I made myself a promise that if I ever got a chance, one foot inside the door, that I was gonna work my behind off, as hard as I could to stay inside of it. I met people there at Welk… Jim Rushing, Carl Jackson, Lionel Delmore, Johnny Russell, Dickey Lee, Bob McDill, countless others, and learned what it was gonna take to be a ‘real’ songwriter from them.
They taught me the ropes and I had the talent God gave me, some incredible luck and much love, help and encouragement from my peers and my family.
At last count, Cordle’s songs had appeared on projects that had to date sold a combined total of more than 55 million records, by artists such as Skaggs, Alison Krauss, Rhonda Vincent, Garth Brooks, George Strait, Trisha Yearwood, Reba McEntire, Diamond Rio, Alan Jackson, Kenny Chesney, Kathy Mattea, Trace Adkins and many others.
Though songwriting took Larry to Nashville, his desire to perform never waned. With his band, Lonesome Standard Time, Cordle has the perfect platform to share his music with fans everywhere. The band has been awarded song of the year by the International Bluegrass Music Association on two separate occasions, garnered two Grammy nominations for best bluegrass album, received nominations for vocal group and instrumental group, landed #1 slots on the Bluegrass and Americana charts and gained the respect of their peers and had many accolades during their existence.
Lonesome Standard Time is comprised of seasoned, esteemed
musicians in their own right, providing Larry with an outlet to feature his original material, trademark singing and his engaging personality, immediately connecting fans to his music.
In addition to his songwriting and role as a bandleader, Cordle is sometimes featured as a lead and/or background vocalist on some of Nashville’s most awarded and popular music. He’s provided harmony vocals for artists such as Garth Brooks, Blake Shelton, Bradley Walker, Billy Yates, Rebecca Lynn Howard and co-writing pal, Jerry Salley. His lead & harmony singing is featured on Livin, Lovin, Losin: A Tribute to the Louvin Brothers, which won a GRAMMY for Best Country Album in 2003 and was named recorded event of the year by IBMA in 2004.
He’s also featured on two tracks of Moody Bluegrass, alongside artists such as Tim O’Brien, Alison Krauss, John Cowan, Harley Allen et al and is recently featured as lead vocalist again on Moody Bluegrass II.
Cord remains extremely active in all facets of his career. He regularly records, and tours in the US and occasionally abroad with Lonesome Standard Time. Larry is also still first and foremost a songwriter, now writing independently for his own company, Wandachord Music, BMI.
Larry is a long time resident of Nashville suburb, Hendersonville, Tennessee. He makes his home there with wife Wanda, and their daughter, Kelvey Christine but still enjoys the opportunity to make frequent trips back to his East Kentucky home place and his roots.