Odes Codes
  • Of the Morning
  • Deco
  • Avril 14th
  • Oakland Drive
  • Hindsight
  • Prelude Near G Major
  • Sehnsucht
  • Bittersweet Avenue
  • Rideaux Lunaires
  • Benton's Lullaby
  • Fiori
  • Until Further Notice
  • For Kaya
  • Alta
  • Of the Morning
    Genre: Acoustic
    MP3 (03:36) [8.23 MB]
  • Deco
    Genre: Acoustic
    MP3 (04:39) [10.63 MB]
  • Avril 14th
    Genre: Acoustic
    MP3 (01:54) [4.37 MB]
  • Oakland Drive
    Genre: Acoustic
    MP3 (03:09) [7.22 MB]
  • Hindsight
    Genre: Acoustic
    MP3 (04:47) [10.95 MB]
  • Prelude Near G Major
    Genre: Acoustic
    MP3 (01:45) [4.01 MB]
  • Sehnsucht
    Genre: Acoustic
    MP3 (05:27) [12.48 MB]
  • Bittersweet Avenue
    Genre: Acoustic
    MP3 (03:29) [7.98 MB]
  • Rideaux Lunaires
    Genre: Acoustic
    MP3 (02:47) [6.36 MB]
  • Benton's Lullaby
    Genre: Acoustic
    MP3 (01:58) [4.52 MB]
  • Fiori
    Genre: (Choose a Genre)
    MP3 (03:07) [7.15 MB]
  • Until Further Notice
    Genre: Acoustic
    MP3 (03:47) [8.68 MB]
  • For Kaya
    Genre: Acoustic
    MP3 (03:48) [8.71 MB]
  • Alta
    Genre: Acoustic
    MP3 (02:53) [6.62 MB]
Biography
"A new mature and poetic voice on the 5 string banjo. Beautiful compositions and a very nice touch.”
-Béla Fleck

SHORT BIO
Max Allard is a banjoist, guitarist, pianist and composer from Chicago. Heavily inspired in his youth by piano players like Scott Joplin and Joe Hisaishi, and more currently with pianists such as Chilly Gonzales, Ryuichi Sakamoto and Yann Tiersen, Max Allard takes a pianistic approach to his solo banjo compositions. With training in bluegrass, and his wide range of compositional inspirations, Max amalgamates his diverse influences into one style of his own.

Max has performed all over Chicago as a solo artist, in a duo (Bushel & Peck with his brother Otto) and with a trio (From the Start with Ruben Whitaker and Otto Allard). He toured the midwest with the Minneapolis based progressive bluegrass band Barbaro. Max is the winner of the 2018 RockyGrass Banjo Competition and the 2019 FreshGrass Banjo Award. He was a selected participant in the 2020 Acoustic Music Seminar in Savannah. Max is currently studying composition at Oberlin Conservatory.

LONG BIO
Max Allard has been composing and learning music for as long as he can remember: figuring out tunes on his toy instruments, or making music from half filled water glasses or pots and pans. After many years of asking for a piano, he finally got one at the age of six. But Max vividly remembers picking up the banjo at eleven and the guitar a few years later.

He has always been interested in harmony, and he brings the influences of many genres, cultures and styles of music to his compositions. Max plays a mix of bluegrass, jazz, new acoustic, and his favorite style of all: unclassifiable.

Max released his debut solo record Odes / Codes in January 2022. It is made up of material that he wrote in 2020 and reflects the contemplative feeling of that year, capturing moods of melancholy, nostalgia, longing, and hopefulness. It’s is an example of a new way of thinking for the banjo and how it fits in non bluegrass music.

Here’s what Béla Fleck had to say of the album:
"A new mature and poetic voice on the 5 string banjo. Beautiful compositions and a very nice touch.”

Max has performed all over Chicago as a solo artist, in a duo (Bushel & Peck with his brother Otto) and with a trio (From the Start with Ruben Whitaker and Otto Allard). He has also toured the midwest with the Minneapolis-based progressive bluegrass band Barbaro. In February of 2020, Max and Otto had the thrill of opening for Sam Bush at the Old Town School of Folk Music in Chicago.

Max is the winner of the 2018 RockyGrass Banjo Competition and the 2019 FreshGrass Banjo Award. He was selected to participate in the 2020 Acoustic Music Seminar (part of the Savannah Music Festival).

Max released his EP Soleil in September 2019, and some follow up singles on his EP Rooster in April 2020.

Max was hired by composer Warren Leming to reimagine his 2001 album A Rich Man’s War and a Poor Man’s Fight with new instrumentation. Max and his brother Otto arranged the 15 tracks they play on, and they worked to help usher this project through production. The project Warren Leming’s A Rich Man’s War and a Poor Man’s Fight: Songs and Tunes Inspired by the Civil War was released in April 2020.

In December 2020, Max participated in a YouTube project called the 12 Days of Licksmas, in which Eli Gilbert invited Max and 4 other banjo players to take part in a series of writing, presenting and applying banjo licks into tunes each day for 12 days, recording videos of that and cross posting them to their YouTube pages. In total, there are 72 videos (12 each from 6 pickers).

In March of 2021, Max embarked on a challenge of writing and recording one new piece per day for every day for the entire month. These were home recordings and ranged in style to include many of the genres that interested Max: from solo banjo and acoustic guitar to looped electric guitar, piano, multi-tracked tunes with banjo, guitar, bass and harmonium, and even a piece featuring the trombone. Called March Maxness, this is an exclusive release for his Patreon supporters.

Max scored the documentary film Hog Haven, directed by Christopher Beeson.

Max is currently studying composition at Oberlin Conservatory.
8
  • Members:
    Max Allard
  • Sounds Like:
    Béla Fleck, Kruger Brothers, Noam Pikelny, Yann Tiersen, Olafur Arnalds, Leo Kottke
  • Influences:
    Chilly Gonzales, Olafur Arnalds, Yann Tiersen, Noam Pikelny, Julian Lage, John Fahey, Ryuichi Sakamoto, Kraftwerk, Leo Kottke, Moondog, Jay-Jay Johanson, Aphex Twin, Peppino D'Agostino, Jacob Mann, Miles Davis, Béla Fleck, Punch Brothers
  • AirPlay Direct Member Since:
    01/21/22
  • Profile Last Updated:
    08/14/23 20:52:44

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