Lil' Linn & The Lookout Boys- Sharpshooting Gal
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Western Swing / Traditional Country
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Location:
EUROPE: Sweden -
Record Label:
Enviken Records -
Website:
envikenrecords.com -
AirPlay Direct Link:
AirPlayDirect.com/lillinnandthelookoutboys
- Sharpshooting Gal
- My Heart Gets Lonely
- Mamas Little Doggies
- Something About That Man
- Twice The Loving
- All I See In You
- Get Out And Stay Gone
- Wornout Loveaffair
- Open Road
- Jack I'm Mellow
- Strangers Or Sweethearts
- You Doggone Son Of A Gun
- My Happy Days Will Come
- I'll Never Bee Free
- Watchdog
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Sharpshooting Gal
Genre: Western Swing
MP3 (02:30) [5.72 MB] -
My Heart Gets Lonely
Genre: Western Swing
MP3 (02:44) [6.25 MB] -
Mamas Little Doggies
Genre: Western Swing
MP3 (02:49) [6.45 MB] -
Something About That Man
Genre: Western Swing
MP3 (03:00) [6.85 MB] -
Twice The Loving
Genre: Western Swing
MP3 (02:35) [5.9 MB] -
All I See In You
Genre: Western Swing
MP3 (02:18) [5.25 MB] -
Get Out And Stay Gone
Genre: Western Swing
MP3 (02:10) [4.95 MB] -
Wornout Loveaffair
Genre: Western Swing
MP3 (02:24) [5.5 MB] -
Open Road
Genre: Western Swing
MP3 (02:46) [6.32 MB] -
Jack I'm Mellow
Genre: Western Swing
MP3 (02:52) [6.57 MB] -
Strangers Or Sweethearts
Genre: Western Swing
MP3 (02:58) [6.79 MB] -
You Doggone Son Of A Gun
Genre: Western Swing
MP3 (02:15) [5.17 MB] -
My Happy Days Will Come
Genre: Western Swing
MP3 (03:03) [7 MB] -
I'll Never Bee Free
Genre: Western Swing
MP3 (03:13) [7.38 MB] -
Watchdog
Genre: Western Swing
MP3 (02:54) [6.63 MB]
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Biography
Contact information:Patrik Staffansson / Enviken Records
patrik@envikenrecords.com
Click here to explore more music from Enviken Records!
Recroded at Enviken Studios.
Engineered, mixed & mastered by Patrik Staffansson
Lil Linn - Vocals
Tobias Einestad - Double bass/vocals
Timmy Hedblom - Guitar
Andre Hakwinson - Lapsteele
David Heikkinen - Piano
Angelo Tiitto - Drums
Special guests: Jonas Olpers - Fiddle & Sonny Rogers vocals on "Open Road".
Lil’ Linn has the voice that reminds you of classic female Country/Hillbilly stars like Ella Mae Morse or Charlene Arthur, she just sounds like she’s straight out of an 50’s Capitol records recording.
Then add a band that knows how to play it just like they did back in the day.
This album still stuns people, as they can’t believe it was recorded and released in 2009. It could easily as well have been released in 1954.
Truly authentic all the way and made with passion and love for those sounds from decades ago.
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