Biography

Busted Flat Records, Ontario (Canada)’s independent, roots-music label, will extend its repertoire to “the singular Americana talent of Carla Olson,” with its April 30 release of HAVE HARMONY, WILL TRAVEL, “an exquisite collection of duets, also produced by the internationally acclaimed recording artist,” it was announced by record company spokesperson Mark Logan.

The CD is a set of twelve compositions from the enduring catalogs of Del Shannon, Buddy Holly, Gene Clark, Steven Van Zandt, P.F. Sloan, Chris Jagger, James Intveld, Moby Grape, Paul Kennerley, and opening with the very-American, Sons of the Desert classic, “You Can Come Cryin’ to Me” (written by Radney Foster, of country-pop fame with the eighties-era band Foster and Lloyd), a duet that beautifully melds the authentic vocals of Olson and the CD’s sole female, singing partner, Juice Newton. Backed by in-the-pocket performances from the track’s guest band, James Intveld (electric guitar), Cindy Cashdollar (lap steel), Tony Marisco (bass) and Tom Fillman (drums), Carla introduces the CD’s production integrity. It is no accident that the singer-producer (who also handles acoustic guitar throughout the recording) openly acknowledges such inspirations as the Everly Brothers, Ian and Sylvia, Richard and Mimi Farina -- all of whom share a reputation as “cutting edge” in their respective fields of country-flavored rock, folk, folk rock and, especially, original harmonies. Carla Olson belongs in this league.

from All Music 4 stars
Over the last decade, singer and songwriter Carla Olson has kept busy as a record producer on both sides of the Atlantic, helming sessions by Joe Louis Walker, Phil Upchurch, and Chubby Tavares, among others, as well as touring with her own band.

Her return to recording is, at least on surface level, a curious one. Olson's desire to cut a duet record has been germinating for decades, but the time was never right until now.

She rounded up a host of friends, bandmates, and some of her favorite singers for Have Harmony, Will Travel. Though there isn't a weak cut in bunch, there are some soaring highlights.

Opener "You Can Come Cryin' to Me" with Juice Newton (and killer fuzzy lap steel from Cindy Cashdollar) is a case in point. Newton's high alto is still rich and full in the harmony and Olson gets right under the grain of the lyric. The pair also delivers a fine rendition of James Intveld's "Stringin' Me On." Olson and Peter Case team on Del Shannon's "Keep Searchin' (We'll Follow the Sun)."

The crackling energy and dramatic longing in the songwriter's lyric are beautifully delivered, and Case's lead guitar work stings, to boot. Gene Clark's "She Don't Care About Time" is a song close to Olson's heart -- she was the late songwriter's duet and recording partner. This reading with Richie Furay up front, fueled Richard Podolor's gorgeous mandolin and former Byrd John York's electric 12-string (which reprises Roger McGuinn's "Jesu Joy of Man's Desiring" solo in the break), is near awe-inspiring. Olson understands the truth in a song no matter how obscure.

She and Gary Myrick deliver Chris Jagger's moving "Still Waters" with passion and swagger. She and York prove excellent singing partners on both Paul Kennerley's tender, broken love song "The First in Line" and P.F. Sloan's pop/rock anthem "Upon a Painted Ocean." Case makes a return appearance in a slippery, breezy reading of Moby Grape's "8:05."

Set closer "Til the Rivers All Run Dry" is a Pozo-Seco Singers nugget (written by Don Williams) delivered beautifully by Rob Waller up front with Olson bringing the harmony. It ends the set by seamlessly melding folk, rock, and country.

Have Harmony, Will Travel is a welcome return for Olson, but that's not all. With its direct, kinetic production, compelling song choices, and inspired performances, it is a blueprint for future duet recordings.