Biography

Meg Hutchinson is an award-winning songwriter who artfully documents the human condition. With a poet’s ease, she makes the personal universal, allowing people’s stories to come alive through her unique vocals and haunting melodies. Since the release of her Red House Records debut Come Up Full, she has won high praise for her songwriting and has been featured nationally on NPR Music, XM/Sirius Radio and several times on the syndicated show Mountain Stage. Publications like The Winnipeg Free Press have compared her songwriting with that of veterans Dar Williams, Mary Chapin Carpenter and Joni Mitchell.

Growing up in the Berkshire Mountains of Western Massachusetts, the woods and ponds were her childhood muses, as were songwriters like Greg Brown and Joni Mitchell, and poets like Mary Oliver, William Stafford, William Butler Yeats, T. S. Eliot and Robert Frost. When Hutchinson inherited her grandmother’s 1957 Martin guitar at age eleven, her love of words found an inspiring instrument, and there was no turning back. “Songwriting is not something I chose, I’ve just somehow always known that this is what I love to do. This is what I can’t help but do,” she says.

After graduating from college with a degree in creative writing, Hutchinson quit her longtime job on an organic lettuce farm and settled in Boston. In between gigs at pubs, coffeehouses and train stations, she won a Kerrville New Folk Award (2000) and was nominated for a Boston Music Award for her first studio album Against the Grey. She went on to win awards at the Rocky Mountain Folks Fest, the Telluride Troubadour Songwriter’s Showcase in Colorado and The Chris Austin Songwriting Contest at Merlefest in North Carolina, all in the course of a year, causing national publications like Performing Songwriter to take notice, calling her “A master of introspective ballads filled with understated yearning and an exquisite sense of metaphor.” She settled in Boston, where she quickly became an integral part of the vibrant songwriting community.  Like every great performer who has come out of the Boston scene, Hutchinson took to the subway, performing in Park Street, Downtown Crossing and Davis Square stations--honing her chops in the same method of predecessors like Martin Sexton, John Mayer, Paula Cole and Tracy Chapman.

After recording her live CD Any Given Day in 2001, and continuing to build a fan base throughout the Northeast, she went into the studio with esteemed producer Crit Harmon (Lori McKenna, Martin Sexton, Mary Gauthier) to record The Crossing. Released in 2004, this album was enthusiastically received by critics and DJs across the country, catching the attention of renowned folk/roots label Red House Records. Label president and veteran producer Eric Peltoniemi knew there was something special in the young singer-songwriter, “Meg won me over with the profound yet easy depth of her lyrics—rich words married to melodies I just can’t get out of my head.” Knowing her songs could stand alongside those by Red House heavyweights Eliza Gilkyson and John Gorka, Peltoniemi signed Hutchinson to the label. Teaming up again with Crit Harmon, Hutchinson recorded her Red House debut Come Up Full over the course of more than a year in Boston. An instant folk hit, the album was one of the most played on folk and college radio and landed her on many “best of the year” lists.

Meg Hutchinson went on to tour with such artists as Lori McKenna, Martin Sexton, Susan Werner, Luka Bloom and Joe Pug, handily winning over new fans on both sides of the Atlantic. She was also a favorite at South By Southwest (SXSW) and the International Folk Alliance Conference, showing that this was a young talent to be reckoned with.

Now, with the release of her new album The Living Side, Meg Hutchinson shows that she is a songwriter that has fully arrived. Combining her raw storytelling folk style with tasteful, intimate production, the album showcases her sweet, earthy vocals and her most powerful songwriting to date. It confirms that she is indeed one of the great voices of the next generation of acoustic musicians.