Biography
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Rebirth of New Orleans Description
Rebirth of New Orleans is the quintessential Rebirth Brass Band recording, garnering the group it's first ever GRAMMY AWARD. Other accolades include: 6 weeks at #1 on the CMJ Jazz radio chart. Thirteen weeks on the Billboard Jazz chart. OffBeat Best of the Beat winner for Best Brass Band album. Finalist for Gambit Weekly's Big Easy Entertainment Award for Album of the Year. Rebirth Brass Band continue to raise the bar with their energetic brand of heavy funk arrangements that perpetuate brass tradition while exciting younger generations of listeners and musicians who follow suit.
Track Listing
1. Exactly Like You
2. I Like It Like That
3. You Know You Know
4. The Dilemma
5. AP Touro
6. What Goes Around Comes Around
7. Do It Again
8. Why Your Feet Hurt
9. Shrimp And Gumbo
10. Feelin' Free
11. Let's Go Get 'Em
Personnel
Phil Frazier - Tuba
Keith Frazier - Bass Drum
Stafford Agee - Trombone
Corey Henry - Trombone
Derrick Shezbie - Trumpet
Glen Andrews - Trumpet
Chadrick Honore - Trumpet
Vincent Broussard - Sax
Derrick Tabb - Snare Drum
Reed Watson - Percussion
Soloman Doyle III - Percussion
Tambourine Green - Tambourine (on 5,7,8,11)
Dwayne Williams - Congas (on 6,9)
Chief Black Feather "Lionel Delpit" - Vocals (on 11)
Credits
Produced By Tracey Freeman
Executive Producer: Mark Samuels
Recorded and mixed by Chris Finney at Music Shed Studios (New Orleans, LA) in 2010
Mastered by Vlado Meller at Universal Mastering (New York, NY)
Design: Cynthia Kinney
Tour Dates
Rebirth Brass Band Bio
Hailed by the New York Times as “a New Orleans institution,” the Rebirth Brass Band have been at the forefront of the brass band revival that they helped kick off over 30 years ago. Formed by the Frazier brothers, Phil and Keith, along with Basin Street labelmate Kermit Ruffins in 1983, The Rebirth Brass Band has gone from playing on corners in the French Quarter to selling out concert halls across the world and appearing in David Simon’s HBO hit Treme. While committed to upholding the tradition of brass bands, they’ve also extended themselves into the realms of funk and hip-hop to create their signature sound. “Rebirth can be precise whenever it wants to,” says The New York Times, “but it’s more like a party than a machine. It’s a working model of the New Orleans musical ethos: as long as everybody knows what they’re doing, anyone can cut loose.” It perhaps can’t be put more simply than in the words of Red Hot Chili Peppers bassist, Flea, “Just saw THE REBIRTH BRASS BAND, unbelievable. Hard as hell, free as a ray of light, there is not a band on earth that is better. Stunning.”
No band exemplifies the essence and soul of New Orleans like Rebirth Brass Band.