Biography

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Adventures in New Orleans Jazz Part 2 Description
This second Adventures in New Orleans Jazz recording remains much closer to its roots than the internationally spiced first part. None the less, we still manage to include a few surprise departures from the standard traditional jazz repertoire as well as to give our own fresh take on several long standing favorites. In addition to more familiar songs like "Panama", "St. James Infirmary", "Tiger Rag", "Petite Fleur", and "Second Line", there are two original songs here: "I Love You Too Much To Ever Leave You" is a vocal tune in the vein of the old dance hall band tradition that dates back to the early days of Jazz and "Eternally Blue" is influenced by the long-standing practice of clarinet blues pieces.
Among the more "adventurous" offerings here are several songs that at some point have been well known in the popular music world. Here these songs are converted to the New Orleans Jazz style - with its characteristic instrumentation, rousing rhythms and improvised ensemble playing. "Jambalaya" was a #1 country music hit when recorded in 1952 by the famous singer Hank Williams. The song's catchy melody and structure make it perfectly suited to be a traditional jazz instrumental. "Midnight Special" - the title track of the 1970s television popular music show and hit recording for the rock group Creedence Clearwater Revival - was an old prisoners' song popularized by legendary singer/guitarist Leadbelly with his first recording of it in 1934.
Rock singer Janis Joplin's biggest hit, "Me and Bobby McGee", from 1970 swings very well as an instrumental for both small jazz band and brass band "second line" interpretations. Also in a fresh brass band vein is the rock group the Turtles' classic 1969 hit "Happy Together". Modern jazz organ master Dr. Lonnie Smith's recent composition "And The World Weeps" is a haunting dirge - well suited for New Orleans style individual and collective expression.
Whether playing well known standrds, new compositions, or material from other musical genres, we are committed to the cause of continuing to bring the special sound and spirit of authentic traditional New Orleans jazz. This we do using our own unique style and approach to the tradition of our ancestors - paying homage to both wat they did and what they would have wanted us to do. Please sit back and enjoy the music!
- Dr. Michael White

Track Listing
1. Jambalaya
2. Midnight Special
3. I Love You Too Much To Ever Leave You
4. Petite Fleur
5. Panama
6. St. James Infirmary
7. Me and Bobby McGee
8. And The World Weeps
9. Tiger Rag
10. Precious Lord
11. Eternally Blue
12. Happy Together
13. Second Line

Personnel
Dr. Michael White - Clarinet on all tracks
Gregory Stafford - Trumpet on #5, 9, 13; Vocals on #3, 9
Wendell Brunious - Trumpet on #3, 7
Leon "Kid Chocolate" Brown - Trumpet on #8, 12; Kazoo on #2
Dwayne Burns - Trumpet on #1
Lucien Barbarin - Trombone on #1, 3, 5, 7, 8, 9, 12, 13
Detroit Brooks - Banjo on all tracks
Steve Pistorius - piano on #1, 3, 5, 7, 8, 9, 11, 12, 13
Cynthia Girtley - Piano and Vocals on #6, 10
Kerry Lewis - Bass on all tracks except #9, 10; Tuba on #7, 12
Roland Guerin - Bass on #9
Herman Lebeaux - Drums on #1, 3, 4, 5, 6, 7, 10, 13
Shannon Powell - Drums on #9
Walter Harris - Drums on #2, 8, 11, 12

Credits
Produced by Mark Bingham and Michael White
Executive Producer: Mark Samuels

Recorded between February 15-26, 2011 and February 29, 2012 ("Tiger Rag" Recorded February 2008) at Piety Street Recording Studio, 728 Piety Street, New Orleans, LA 70117.
Recorded by Wesley Fontenot, Nick Guttman and Mark Bingham. Mixed by Paul Marinaro.
Graphic design and manufacturing by Diana Thornton of Crescent Music Services, www.crescentmusic.com
Cover photo by Syndey Byrd, SyndeyByrd@att.net

Thanks to the Creator for the gift of jazz and the spirit of New Orleans culture. Also thanks to all the musicians, producers, engineers, and everyone who worked on this project. Richard Thomas mural used courtesy of New Orleans African American Museum. A special thanks to all of our fans and supporters. We love you!

TourDates

Dr. Michael White Bio
Dr. Michael White is an accomplished, multi-faceted New Orleans-based clarinetist, bandleader, composer, musicologist, jazz historian, and educator widely regarded as one of the leading authorities
and culture-bearers of traditional New Orleans jazz music. He has performed in over two dozen foreign countries, played on over 50 recordings, received countless awards, made multiple national television appearances, and been featured in major media publications.

Despite an upbringing in the Carrollton neighborhood of New Orleans, and a bloodline to some of the earliest jazz musicians, Michael White did not get his start playing jazz. An aunt who played clarinet inspired him to take up the instrument in elementary school, where he primarily studied symphonic music and marched with the famed St. Augustine Marching 100. It wasn’t until much later, in his late teens, that he first heard live New Orleans jazz played at Jazz Fest, and he became inspired by the music of the city.

He would play his first professional gig with Ernest “Doc” Paulin’s Brass Band in 1975 at a church parade. His jazz career grew, as he played primarily in social club parades and jazz funerals with Paulin’s group and other bands and musicians including the Danny Barker-founded Fairview Baptist Church Marching Band and George “Kid Sheik Cola” Colar.

In the late 1970s, White discovered a recording of George Lewis that would serve as his primary inspiration to pursue a life as a New Orleans jazz clarinetist. He would later dedicate an album in honor
of the New Orleans musician, the 2000 release, A Song for George Lewis (Basin Street Records). In addition to Lewis, Dr. White cites a number of other clarinet influences including: Sidney Bechet, Johnny
Dodds, Barney Bigard, Paul Barnes, and Willie Humphrey.

He formed his first group, the Original Liberty Jazz Band, in 1981. A band that regularly performs in New Orleans, and that held a weeklong annual residency around New Years Eve at The Village Vanguard in New York City for many years. He continues to lead that band as well as two smaller groups, the Liberty Brass Band and the Michael White Quartet. Since 1979 he has also played in the Young Tuxedo Brass Band, founded by clarinetist John Casimir sometime in the 1940s. During this early part of his career, he had the opportunity to play alongside more than three dozen traditional jazz musicians born between 1890 and 1910.

It is White's crystal-clear clarinet that can be heard on Wynton Marsalis' critically hailed 1989 release, The Majesty of the Blues (Columbia Records). White worked with Marsalis, the artistic director for Jazz at the Lincoln Center in New York, on A Tribute to Jelly Roll Morton, a series of concerts that were performed there, and that were reviewed favorably by Jon Parales of the New York Times. White also served as musical director for concert tributes to King Oliver and Sidney Bechet that were collaborations with Marsalis and the Lincoln Center Jazz Orchestra. He has since served as an artist-in-residence for Lincoln Center Jazz Orchestra. In addition to his collaboration with Marsalis, White’s unique clarinet
sound has been included on recent recordings by several legends of popular music, including Eric Clapton, Taj Mahal, Paul Simon, and Marianne Faithful.

Throughout the 90’s Michael White recorded a variety of records with multiple record labels including 1992’s New Year’s Eve Live at The Village Vangaurd (Antilles). The year 2000 marked the beginning of his relationship with New Orleans-based label, Basin Street Records, which has released the majority of his most recent solo work including A Song for George Lewis (2000), Jazz from the Soul of New Orleans (2002), Dancing in the Sky (2004), the post-hurricane Katrina reflective Blue Crescent (2008), and the two
part Adventures in New Orleans Jazz, Parts 1 & 2 (2011, 2012).

White faced a momentous year in 2005—the spiritual high of taking his band on an international tour of Europe, and later the emotional low of facing the devastation of Hurricane Katrina. White’s Gentilly home was flooded with seven feet of water, and his entire collection of invaluable historical musical memorabilia and music collection were destroyed. He managed to cope with the loss through an artists’ retreat where he generated material for Blue Crescent (2008), an album that received the following praise from John Swenson of Offbeat Magazine, “Dr. Michael White has produced what must surely be one of the greatest examples of New Orleans traditional jazz ever recorded.”

In 1980 White began teaching Spanish at Xavier University, while he maintained a career as a gigging musician. His relationship with the university would grow over the years, and led him to being awarded the Rosa and Charles Keller Jr. Endowed Chair in the Humanities, under which he currently teaches African American Music. Dr. White does extensive work hosting workshops and teaching about New Orleans music, including guest coaching at Julliard School of Music. Since 1995 he has served as the main consultant for traditional jazz for the New Orleans Jazz & Heritage Festival. In 2002 he began producing the Culture of New Orleans Series at Xavier University, a highly successful program of over two dozen lectures, concerts, and film presentations featuring the authentic traditions and people of New Orleans.

Michael White continues an active career in a variety of capacities, and his collection of awards, accolades, and accomplishments is ever-growing. These include receiving the rank of Chevalier of Arts & Letters from the French government in 1995, being awarded the 2008 Heritage Fellow of the National Endowment for the Arts (the nation’s highest award in the traditional and folk arts), and being named the 2010 Louisiana Endowment for the Humanities Humanist of the Year. He has been awarded Clarinetist of the Year by Offbeat Magazine in 2010, 2013, 2014, 2015, and 2016, in addition to winning Best Traditional Jazz Artist of the Year from Gambit Magazine’s Big Easy Awards in 2010. In 2012, he made several national television appearances: The Allstate Sugar Bowl National Anthem, HBO’s Treme, National Geographic Channel’s America’s Lost Treasures, International Jazz Week Celebration—various news channels, and CNN’s New Year’s Eve Celebration. He has also been featured on NPR’s Music Inside Out with Gwen Thompkins. In 2015 he received the Jazz Hero Award from the Jazz Journalists Association of America, and he produced the recording New Orleans Brass Bands: Through the Streets of the City for the Smithsonian Institution.

With a career now spanning over three decades, Michael White continues to grow his musical legacy as one of the authoritative figures on New Orleans Jazz Music, and one of the finest clarinetists to walk the streets of the crescent city.